Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.   Related Paintings of Piero della Francesca :. | Crucifixion | Nativity | reconstruction of the annunciating angel from the detail of the madonna della misericordia, central panel of the polytych of the misericordia | polyptych of saint anthony | Federigo da Montefeltro and his Wife Battista Sforza (mk45) |
Related Artists:
NOTKE, Bernt
German Sculptor, ca.1440-1509
GIUSTO de Menabuoi
Italian painter, Florentine school (b. ca. 1320, Firenze, d. 1391, Italian painter, Florentine school (b. ca. 1320, Firenze, d. 1391, was an Italian painter of the early Renaissance. He was born in Florence. In Lombardy he executed a fresco of the Last Judgement in the Abbey of Viboldone, Milan. He then moved to Padua where he completed frescos in the Church of the Eremitani, the Basilica of Saint Anthony of Padua and most notably, the Baptistery of the Duomo (1376).
John Mix Stanley
A famous painter of Indians and Indian scen . American , 1814-1872 American , 1814-1872,was an American painter of landscapes, portraits and Native American life. He was born in Canandaigua, New York and orphaned at the age of 12. At age 14, Stanley became an apprentice to a coach maker. Looking for better work, he moved to west in 1832 and became a painter of signs and portraits. In spring 1843 Stanley accompanied the party of Indian agent Pierce M. Butler to the Tehuacana Creek Council. At the outbreak of the Mexican War in 1845, John Mix Stanley joined Colonel Stephen Watts Kearney's expedition to California and produced many sketches and paintings of the campaign. He traveled to Hawaii in 1848 and spent a year painting portraits of members of the royal family. He traveled across the Isthmus of Panama in 1853. He also painted Comanche warriors in their natural environment. He moved to Detroit in 1864 and remained there for the rest of his life. Stanley helped to found a forerunner of the Detroit Institute of Arts and to incorporate the National Gallery and School of Arts. Stanley's primary interests and sympathies were with the Indians. The Smithsonian exhibited his pictures, but Congress never appropriated monies for them. More than 200 of his works were destroyed in the Smithsonian fire of 1865.